Soon you will have the chance to explore the artwork inside Science of the City, a clear invitation to look from a different perspective even the smallest details of urban everydayness, posing our own questions about science.
All these nine pieces are in fact the synthesis of a research process that began with the analysis of the contents of the 50 videos sent for two months by participants from around the world in the categories of Fiction, Question and Experiment. From this work we created a database of scientific issues in the city that, among other things, allowed us to visualize the existing differences between popular and the expert cultures regarding the concepts of science or city.
The exploration of semantic fields and etymologies also served as a basis for the artists of IMARTE group, a work which has revealed surprising connections between proposals of citizens, scientific principles and their own artistic projects.
We then describe the set of art pieces in the exhibition, along with the videos that inspired them:
A start is white, Eugènia Agustí
The piece refers to the blank page as the starting point of a work and considers what would happen after covering the roofs of entire blocks of houses with white geometric figures to act as attractors of sunlight.
Inspired by the video “White-topped buildings, who loves the Sun?”, of Anna Cabré
Urban Legends, Monste Carreño and Raquel Muñoz
Confronting the way how urban legends and false scientific stories arise and are established leads us to reflect on how we perceive images related to the context in which are introduced.
Inspired by the competition process
Urban Fossils from yesterday and today, Mercè Casanovas
Human constructions enclose large amounts of fossils. This artwork wants to show many of them inside a piece of land from Barcelona where you can see traces of the past, but also of the present, to be discovered years later.
Inspired by the first video of la Mandarina de Newton “Urban fossils”
Urban passage, Borja Leonardo Fermoselle and Sergi Selvas
The meta-city of the XXI Century is a paradigm of our society, a multifaceted look created from a series of images showing the nature of a regenerative system based on the fragmentation.
Inspired by of videos submitted
Text Local Alignement, Aleix Molet and Eloi Puig
Working in a similar manner as DNA sequences are compared to extract
functional links between genes, the transcripts of two videos about science and the city have been aligned.
This proposal works exploring the transcripts of the videos: “City Sounds- A New Source of Energy?” of Emily DeHority and “Why the planet Earth changes?” of Universidad de los Niños
Xanthoria parietina, scattering, Cristina Pastó
Lichens are the result of the symbiosis of a seaweed and a fungus that are used as bioindicators of air pollution levels in cities. Two species have returned now from the space totally unaffected by exposure to vacuum.
Inspired by the videos about environment
Full moon and message in a bottle, Anja Steidinger
Composition created from two frames taken from the same video and expanded a thousandfold. The new creation was generated by seeking common patterns
between the digital images of a full moon and a bottle.
Inspired by the video “Les figures dans le marbre”, of Scienceadacemie
Waves, Alicia Vela
Small dots projected on a wall symbolize waves of information generated by a video, a fiction that draws an echo of itself as if it was like quantum particles coming from a spectator that interacts with physical matter.
Inspired by the video: “La sorprenent composició de l’àtom”, of Núria Jar
The infinite net, Antònia Vilà
Videographic and temporal transcription of the night sky from the recording of engraved inscriptions inspired by distant mythological cosmologies.
The net becomes a metaphor of the infinite universe in transformation.
Inspired by the movies “Les lumières dans la ville”, of Mrcopperstein y “La Luna en Montjuïc”, of Ruben Permuy
As you can guess, the exposure is not, therefore, the end of this co-creative process. The results obtained encourage us to think in new editions that allow us to move forward in the investigation of new processes at the crossroads of design, participation, art, science, technology and city.